The song of the tracks is the story that the Aborigines of Australia tell in song, to describe their landscapes. If they do, it is to find their way around this continent sometimes so dangerous and it is also the opening of Gisèle Pape's latest album. Let's take a look back at an artist who mixes influences, styles and arts. Gisèle Pape It is above all a classical organ training at the Belfort Conservatory. This was followed by the Louis Lumière school before embarking on music. Gisèle Pape mixes styles, sounds and influences. With folk, minimalism due to Steve Reich or pop. Listening to his album is above all a journey between sounds and images. 
Caillou the name of her album, begins with Le chant des pistes and offers a vision already, sources of inspiration of the singer between the East German swimmers and the return of Neil Armstrong on earth. Subjects that touch her and push her to write texts with strong images. Texts where every word is weighed to match the music. Gisèle Pape's texts are often complex at first glance and offer themselves to very broad interpretations that the author gives free rein to his audience. 
Where on stage our fears arose is at the level of the intimate nature of his songs. Gisèle Pape makes music above all for herself and not for others. On stage, they were swept away by his ability to capture the attention of his audience. This time, it was a concert with three different groups of artists. It should be noted that Gisèle Pape despite her soft and quiet voice and her texts mainly based on listening, is listened to, is respected. https://youtu.be/P1x0h5cig_E Gisèle Pape is a strong artist. Strong in her artistic convictions, strong in her values. An artist constantly looking for balances between the different facets of her music. Above all, he is a fascinating person in his career and his approach to art. I propose you to continue this journey with the interview conducted by Just Focus just before the concert. https://open.spotify.com/artist/0vE4bncobhWUUGpLpBtD4e
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